Master and Commander: The Far Side of the World (2003) Play Streaming

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You will find a complete description of Master and Commander: The Far Side of the World below:
  • Original Title : Master and Commander: The Far Side of the World
  • Movie title in your country : Master and Commander: The Far Side of the World
  • Year of movie : 2003
  • Genres of movie : Adventure,
  • Status of movie : Released
  • Release date of movie : 2003-11-14
  • Companies of movie : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
  • Countries of movie : United States of America,
  • Language of movie : Français, Português, English,
  • Durationof movie : 138 Min
  • Average vote of movie : 6.9
  • Youtube ID of movie : 4wDVf5Tkc88
  • Translation of movie : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
  • Cast of movie :Robert Pugh (Mr. Allen), Joseph Morgan (William Warley, Richard McCabe (Mr. Higgins), Tony Dolan (Mr. Lamb), Richard Pates (Williamson), Ousmane Thiam (Black Bill), William Mannering (Faster Doudle), David Threlfall (Preserved Killick), Edward Woodall (2nd Lt. William Mowett), Billy Boyd (Barrent Bonden), Cpt. of Mizzentop), Ian Mercer (Mr. Hollar), Chris Larkin (Capt. Howard), Thierry Segall (French Captain), Jack Randall (Boyle), John DeSantis (Padeen), Max Benitz (Calamy), Alex Palmer (Nehemiah Slade), Max Pirkis (Blakeney), Mark Lewis Jones (Mr. Hogg), Bryan Dick (Joseph Nagle), Lee Ingleby (Hollom), George Innes (Joe Plaice), James D'Arcy (1st Lt. Tom Pullings), Patrick Gallagher (Awkward Davies), Russell Crowe (Captain Jack Aubrey), Paul Bettany (Dr. Stephen Maturin)
The courage to do the impossible lies in the hearts of men.

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Master and Commander: The Far Side of the World is the better movie provided by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, working with a description of the movie is "After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.". The film was produced with excellent graphic quality, best ear busting sound quality and finest starring actors.

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Assistant Director : Alan B. Curtiss, Assistant Art Director : Kevin Ishioka, First Assistant Sound Editor : Linda Yeaney, Hairstylist : Edith I. Amezcua, Co-Producer : Todd Arnow, Co-Producer : Meyer Gottlieb, Production Design : William Sandell, Still Photographer : Stephen Vaughan, Costume Supervisor : Dawn Y. Line, Music Editor : Simon Leadley, Digital Compositors : Kathleen Beeler, Storyboard : David Russell, Set Dressing Artist : Giovanni Bianchini, Co-Producer : Harvey Weinstein, Line Producer : Bridget Bourke, Color Timer : Jim Passon, Foley : Gary A. Hecker, Rigging Gaffer : Stephen Johnstone, Loader : Sal Alvarez, Script Supervisor : Wilma Garscadden-Gahret, Craft Service : Orlando Chongo, Script Supervisor : Brenda Lopez, Post Production Supervisor : Jeffrey Harlacker, Scoring Mixer : Robert Fernandez, Director : Peter Weir, Makeup Effects : Gabriel De Cunto, Unit Publicist : Sandy O'Neill, Digital Intermediate : Hilda Saffari, Visual Effects Coordinator : Kimberly Adams, Hair Department Head : Yolanda Toussieng, Set Designer : Carlos Benassini, Sound Effects Editor : Michael W. Mitchell, Costume Design : Wendy Stites, Camera Operator : Guillermo Rosas, First Assistant Editor : John Lee, Studio Teachers : Judith M. Brown, Translator : Quincy Perkins, Post-Production Manager : Patrick Esposito, Set Designer : Nick Navarro, Casting : Fiona Weir, Second Unit Cinematographer : David R. Ellis, Armorer : Steve Auvenshine, Researcher : Brice Criswell, Art Department Coordinator : Gerald Lehtola, Art Direction : Héctor Romero, Sound Re-Recording Mixer : Paul Massey, Set Costumer : Javier Arrieta, Camera Operator : Jamie Barber, Original Music Composer : Iva Davies, Set Designer : Manuel Martínez, Art Direction : Marco Niro, Construction Foreman : James Arrigo, Stunts : Joey Anaya, Layout : Dani Morrow, Visual Effects Producer : Stephanie Hornish, Producer : Duncan Henderson, Technical Supervisor : Brian Gee, Original Music Composer : Richard Tognetti, Visual Effects Editor : Tom Barrett, Camera Operator : George Billinger III, Editor : Lee Smith, Post Production Assistant : Sassica Francis-Bruce, Electrician : Willie E. Dawkins, 3D Supervisor : Christopher Bonnstetter, Production Coordinator : Andy Foster, Unit Production Manager : Todd Arnow, Visual Effects Editor : Kosta Saric, Telecine Colorist : Eric Putz, Production Illustrator : Daren Dochterman, Visual Effects Producer : Helen Elswit, Novel : Patrick O'Brian, Driver : Tom Gilhooley, Thanks : Christopher Terrill, Visual Effects Producer : Jeff Werner, Sound Recordist : Tim Gomillion, Producer : Samuel Goldwyn Jr., Camera Operator : Don Reddy, Dialogue Editor : Hugo Weng, Gaffer : David Lee, Property Master : Doug Harlocker, Casting Associate : Nicole Hilliard-Forde, Visual Effects Supervisor : Mitchell S. Drain, Best Boy Electric : Rick Maddux, Dialect Coach : Judy Dickerson, Lighting Technician : Derick Pritchard, I/O Supervisor : Brian Cuscino, Set Designer : Mark Hitchler, Set Medic : Jeffrey D. Stevens, Projection : Larry Hoki, Camera Operator : Martha Susana Ramos, Stunt Coordinator : Daniel W. Barringer, Makeup Department Head : Edouard F. Henriques, Director of Photography : Russell Boyd, Location Manager : Michael John Meehan, Visual Effects Supervisor : Pablo Helman, Unit Manager : Rafael Cuervo, Screenplay : John Collee, Producer : Peter Weir, Digital Effects Supervisor : David Ebner, Camera Operator : Matthew J. Siegel, Standby Painter : Anthony Gaudio, Rigging Grip : Oscar Gomez, Lighting Artist : Michael Sean Foley, Sound Re-Recording Mixer : Doug Hemphill, Construction Coordinator : Gary Deaton, Quality Control Supervisor : Timothy Michael Cairns, Stand In : David Oliver, Special Effects Coordinator : Daniel Sudick, Boom Operator : Jeffrey A. Humphreys, Casting : Mary Selway, Art Direction : Bruce Crone, Set Designer : Bill Hiney, Production Accountant : Jen Hutchinson, Foley : Nancy Parker, Makeup Artist : Robin Beauchesne, Sequence Supervisor : Jay Cooper, Grip : Chris Centrella, Helicopter Camera : Phil Pastuhov, Art Direction : Mark W. Mansbridge, Screenplay : Peter Weir, Dolby Consultant : Andy Potvin, Co-Producer : Bob Weinstein, Production Sound Mixer : Art Rochester, Transportation Coordinator : Russell McEntyre, Stunt Coordinator : Doug Coleman, Steadicam Operator : Harry K. Garvin, Video Assist Operator : Adam Barth, Utility Stunts : Mitch Toles, Transportation Captain : Wayne Stone, Visual Effects Supervisor : Stefen Fangmeier, First Assistant Camera : Robert Hill, Sound Designer : Richard King, Propmaker : Bobby Mara, Leadman : Christopher Neely, Seamstress : Marcelina Barraza, Set Decoration : Robert Gould, Production Office Coordinator : Derek Jan Vermaas, Set Dressing Supervisor : Jennifer Lewicki, Studio Teachers : Maxine Arbarbara, Executive Visual Effects Producer : Blondel Aidoo, Visual Effects Producer : Julia Frey, Original Music Composer : Christopher Gordon, Set Production Assistant : Heather Anderson, Executive Producer : Alan B. Curtiss
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